Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

本片讲述英王亨利二世于1183年圣诞节谕示他的分居妻子依莲娜带同三个儿子回宫团聚，以便乘机选立王位继承人。由于亨利二世和依莲娜对继承人的意见大有分歧，加上亨利二世的情妇艾莱丝纠缠其间，遂引出一场几乎酿成叛变的家庭冲突。

在玻璃工厂工作的工人稻叶佑（草彅刚 饰）和母亲一起过着相依为命的生活，佑的母亲患有阿兹海默症，生活起居全离不开佑的照顾，每天工厂家里两点一线的佑一直都没有谈过恋爱，亦不觉的自己值得拥有那样的生活。某日，佑在山中遇见了一位名叫萌奈美（今井美树 饰）的女子，善良的佑将萌奈美带回了家中。 　　萌奈美在一场意外中失去了记忆，不知道自己从何而来又是何人，而萌奈美的存在渐渐唤醒了佑对于感情的渴望。终于，萌奈美找回了记忆，并误会佑一直在欺骗自己，愤然离开了佑回到东京，可是等待着她的却是冷漠的丈夫和毫无生气的家庭，萌奈美开始怀念起大雪纷飞的山形县，以及她在那里遇见的那个温柔的男人。

在玻璃工厂工作的工人稻叶佑（草彅刚 饰）和母亲一起过着相依为命的生活，佑的母亲患有阿兹海默症，生活起居全离不开佑的照顾，每天工厂家里两点一线的佑一直都没有谈过恋爱，亦不觉的自己值得拥有那样的生活。某日，佑在山中遇见了一位名叫萌奈美（今井美树 饰）的女子，善良的佑将萌奈美带回了家中。 　　萌奈美在一场意外中失去了记忆，不知道自己从何而来又是何人，而萌奈美的存在渐渐唤醒了佑对于感情的渴望。终于，萌奈美找回了记忆，并误会佑一直在欺骗自己，愤然离开了佑回到东京，可是等待着她的却是冷漠的丈夫和毫无生气的家庭，萌奈美开始怀念起大雪纷飞的山形县，以及她在那里遇见的那个温柔的男人。

After a night out at a disco, 17-year-old Finn is hit by a car driven by aspiring judge Maxim Vollert. He leaves the seemingly uninjured man behind, who succumbs to his internal injuries. Finn's brother Mike, who reproaches himself for letting the drunk Finn walk home alone, meets Sylvie Vollert at Finn's grave, who was sitting next to her husband in the car on the night of the accident. A passionate relationship develops between Mike and Sylvie. Mike soon suspects that Sylvie was involved in his brother's death. When Mike tells his parents about the growing suspicions against the Vollerts and his mother finds out about the liaison between Mike and Sylvie, her world collapses.

Earth is experiencing its final winter. A streaming company hires all available camera operators to film the final weeks of this soon-to-be-lost season.

Warsaw, December 13th 1981. Martial law shuts down the country. Overnight, a country turns into a prison. Taxis have been replaced by tanks. Citizens are treated like criminals. And visiting British Professor Joan Andrews finds herself trapped. After witnessing the murder of a young student by the secret police (the "Crows"), Joan herself becomes the target. The Professor runs like a rat through the maze-like streets of Soviet-era Warsaw until she is forced to stop and take a stand.

ズーカラデル結成10周年の第一弾シングルとして待望の音源化を果たした。Digital Single「友達のうた」を”原作”として、 　　映画監督・今泉力哉氏がオリジナル脚本で短編映画『冬の朝』を制作！ 　　まるで自分もかつて経験したかのような気まずい時間と、曖昧な関係性を描く繊細な表現が光る本作。 　　“友達”とは、映画で描かれている恋人と友達の狭間のような関係なのか、 　　楽曲ができる元になった ライブハウスで出会った演者と観客のような関係なのか、はたまたまったく別の存在なのか。 　　映画と楽曲それぞれを味わうことにより、自分にとっての”友達”とは一体どのような存在で、そこにどんな感情があるのか、 　　”友達”というありふれた言葉だからこそ、そこに含まれる様々な情景を感じることのできる作品となっています。

Experience the beauty and brutality of the Nordic winter, its impact on the lives living there and how the winter has shaped the Nordic landscape. 　　How do people and animals adapt when winter is coming? The forces of nature challenge us to find creative solutions. With knowledge built up over generations, we make our way – in four parts – through the relentless Nordic winter. 　　PART 1. WINTER IS COMING（冬天来临） 　　PART 2. THE POWER OF CRYSTALS（水晶的力量） 　　PART 3. LIGHT AND LIFE（光与生命） 　　PART 4. THE GIANT FALLS（巨人的倒下） 　　Reader: Per Kjerstad 　　Narrator: Minna Pyykkö / Richard Hugh Peel 　　Executive Producer: Bengt Strömbro, Marja Paavilainen, John Stark, Rune Møklebust 　　Co-production: Norsk Rikskringkasting (NRK), Yleisradio (YLE), Sveriges Television (SVT)